Sex and Unisex: The Unfinished Business of the 1970s

I am nearly finished with the proposal for the next book, on unisex trends from the late 1960s through the mid-1980s. Thanks to the fashion cycle and “That Seventies Show”, the superficial outlines of these trends are fairly familiar to the general public. As usual, my intent is to reveal how complicated the movement was (and I chose that word intentionally.).

The unisex movement – which includes female firefighters, Roosevelt Greer’s needlepoint and “Free to be…You and me” -- was a reaction to the restrictions of rigid concepts of sex and gender roles. Unisex clothing was a manifestation of the multitude of possible alternatives to gender binaries in everyday life. To reduce the unisex era to long hair vs. short hair, skirts vs. pants and yes, pink vs. blue is to perpetuate that binary and ignore the real creative pressure for alternatives that emerged during this period.

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But what alternatives were posed, and why? For the most part, unisex meant more masculine clothing for girls and women. Attempts to feminize men's appearance turned out to be short-lived, not permanent changes. The underlying argument in favor of rejecting gender binaries turns out to have been another binary: a forced decision between gender identities being a product of nature or nurture. For a while, the "nurture" side was winning. Gender roles were perceived to be socially constructed, learned patterns of behavior and therefore subject to review and revision. Unisex fashions were one front in the culture wars of the late 60s and 70s -- a war between people who believed that biology is destiny and those who believed that human agency could override DNA.

The working title is “Sex and Unisex: The Unfinished Business of the 1970s”. Because it’s clear to me from today’s culture wars that the sexual revolution is turning out to be more like the 100 Years War.